Johann Heinrich Fรผssli
Swiss-born British Romantic painter and professor whose chilling masterpiece 'The Nightmare' (1781) introduced gothic terror, eroticism, and the irrational subconscious into Western art.
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Swiss-born British Romantic painter and professor whose chilling masterpiece 'The Nightmare' (1781) introduced gothic terror, eroticism, and the irrational subconscious into Western art.
Pioneering French Romantic painter whose dramatic tour de force The Raft of the Medusa launched the Romantic movement.
Foremost Neoclassical sculptor in Europe whose breathtaking marble masterpiecesโincluding 'Psyche Revived by Cupid's Kiss'โbrought Greek marble elegance back to the modern world.
Master Japanese ukiyo-e printmaker of the late eighteenth century, celebrated for depicting statuesque, tall, elegant beauties (bijin-ga) integrated naturally into outdoor urban landscapes.
French master sculptor whose light, sensuous terracotta statuettes of bacchantes, satyrs, and nymphs captured the playful joy and supreme delicacy of late Rococo art.
Foundational giant of the Viennese Classical period whose 106 symphonies and 68 string quartets established the classical sonata form, mentoring Mozart and Beethoven and creating the sublime oratorio The Creation.
Supreme master of ukiyo-e woodblock printing renowned worldwide for his intimate 'okubi-e' (large-head close-up portraits) of women, capturing subtle feminine psychological states.
French Rococo master painter whose exuberant, fluid brushwork and playful romantic masterworks like 'The Swing' (L'Escarpolette) captured the joie de vivre of the Ancien Rรฉgime.
Italian Classical composer and cello virtuoso celebrated for his courtly galant chamber music, pioneering string quintets, and the immortal 'Minuet' from String Quintet Op. 11, No. 5.
Venetian master painter and son of Giambattista Tiepolo whose witty, theatrical frescoes of Pulcinella and Carnival scenes captured the whimsical collapse of the Venetian Republic.
Prominent English society portrait painter of the Georgian era celebrated for his fashionable society sitters and dozens of luminous, idealized portraits of Emma Hamilton.
Last great master of the Venetian veduta whose shimmering, painterly brushwork (pittura di tocco) and poetic capriccios anticipated 19th-century Impressionism.
First President of the Royal Academy of Arts whose 'Discourses on Art' championed the 'Grand Style' and who elevated British portraiture to heroic neoclassical dignity.
Transcendent child prodigy and supreme musical genius whose unmatched elegance, dramatic psychology, and melodic perfection across over 600 worksโincluding Don Giovanni, The Magic Flute, and the Requiemโdefine the peak of Classical music.
Second surviving son of J.S. Bach, court harpsichordist to Frederick the Great, pioneer of the dramatic Empfindsamer Stil, and primary musical influence on Haydn and Mozart.
Founding member of the Royal Academy and master portraitist whose 'The Blue Boy' and lyrical landscapes captured British elegance with feathery brushstrokes and natural ease.
Bohemian-German composer who reformed classical opera, subordinating vocal display to dramatic truth and theatrical unity.
Youngest son of J.S. Bach, known as the 'London Bach', who pioneered the Classical symphonic style, established public subscription concerts, and was a formative mentor to young Mozart.